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Kathryn Hughes thrills to a superb biography that brings a radical literary figure back into the picture
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David Sinclair enjoys a colourful account of one of the most vibrant musical centres in the world
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Far from being obscure or inaccessible, Ulysses is a novel of and for the people. By Blake Morrison
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Jenny Turner revisits lost stories from the Trainspotting era
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If the shadow of camp falls across the novel's surface, this is still an intriguing mystery, says John O'Connell
Amazon Link | Google search for ASIN | Full reviewMark Lawson dissects the appeal of the 'Italian expat' genre
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A masterfully created tale of convent life in 16th-century Italy has Donna Leon captivated
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Justine Jordan admires an ambitious debut novel with a razor-sharp vision of teenage life
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Jenny Colgan weighs up Marina Lewycka's latest culture-clash comedy
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Brunet's study shows how photography has become a medium of individual expression, finds PD Smith
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Parks demonstrates a seemingly effortless mastery of biochemistry, says Jane Housham
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The supernatural element is the perfect complement to Parker's measured narration, says John O'Connell
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Mina is acutely sensitive to characters' mental states, with prose both nimble and muscular, says John O'Connell
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The Way Home may not be everyone's idea of a great novel, but it's still pretty damn good, says John O'Connell
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He seems to tire towards the end but this still sets new standards for rock biography, says John Dugdale
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Hatcher's Walsham might be fiction, but the fear he creates comes with the ring of truth, says Victoria Segal
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The spirit of Saturday nights can be hard to capture, but Barfe manages to nail it down, finds Victoria Segal
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A delightful meditation on Venice: occasionally self-indulgent, but always charmingly so, says PD Smith
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Pelecanos maps the social landscape of DC with a compassionate complexity, says Cathi Unsworth
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This is a compelling examination of the need to create an authentic identity, says Isobel Montgomery
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When Guterson exposes America's insecurities, he makes the hike worthwhile, says Isobel Montgomery
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While the plot is engaging enough, it's the language that captivates, says Jane Housham
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